As it is used in line 30, the wordfenced can reasonably be.said to mean all of the following EXCEWr: shiit. conllnitt¢d. .10. When the Dallator's dad tells her that be has decided to sell.th¢ cuent crop of wheat, the narrator reacts to the news with. a feeling of excitement that: she tries to hide from him. consumes her. is paired ivith discontent. is tinged with guilt. ACT47A . 31 GO ON TO THE NEXT PAGE. Passage 11 . SOCIAI SCIENCE:..Ths passage Is adapted. from.the .artlcle . "Virtually Rebuilt. A Ruin Ylelds Secrets. by Sam Lubell (Q2002' by Tthe New York Times Company). Everyone knows tbat the RomaD.Cotosstum 'is an . architECtural marvel. Built so that. thousaiids of people could be usliered in and out in minutes. it is a testamedt to the genius of Roman.enginderlng. Or is it? By recon. . 5 structing the building with three-dimensional comp.uter modeling and then virtually "walking tbrough.:. it. researchers. have discovered" dark, narrow upper hall. ways that probably hemwed in spectators.. slowing their . movement to a crawl. viitual reality lab there have worked with a design cow- pany.that. specializes in archaeological visualizations to - prodllce.:.virtual:.rriodels of,"..several .Astyriall::palaces.. .55 . mo.ving through a.simulation."of Ihejnorthwesi pa]ace of ,.. ."Ashur-.Nasir-Pal II iof, ..Assyri&." ". all-.*Dcient. sitc'.in modern-day aq, be caught.a'glimpse of thrc¢ léaf bas- .relief sculp.tures In 'a,"row." 'The , sculptures, 'depicted a ritual involving the king., CotierS,And pro- 60 tective gods, could. bé viewed .as .a -singlè, isolated. tableau only from his position.on the tbreshold of the .throne room as .w&s evidéntLy the .intention of the~ '. &alace',deslgller8.. w.hen Paley" described his.finding at a,'lecture,".':the room went'absolutely silent. h& said.. :'I . 65 think".people.iealized'.right:.tb¢ll that.%this is a useful technology .that'.help's.-them see .things .in .a different way." Some experts hesitaLe"to rély on such modeling." saying tbat.it can gloss over the realitiès o! the past. 70 Kenneth Kolson. deputy.. directoI of tbe. division of. reselrch prograiiis for.the National, Endowment for the . Humanities, .said that virtual,images conveyed a "false ' . seDse...of integrity."and .p.urity.": He, added. "Those. images,...especially, the ' stunningly ,'sedu¢tive onès, 75 convey as much or:morÉ abotst our own-values and cul. , .tural. aspirations as about th¢ aucients." Even:,.Frischer '.and other. ' scbolars.'.,who have einbraced interactive,3. D ,modeling, caution 'that theiI". .:- reconstructions can .nev¢r be accepte4 ,'as:fact. partly 8b because new information is .always. surfacing.. "We're ' working the Etuff ..out.:'.".said Mark,:.Wilson .,Jones. member<)f,the UCLA'.Kommittee of Roman.arcbite¢ture ': "- £xperts."and.o:.lecturer-. in"arcbitecture. Nothing's-cver ":"" - final.,: One advantage.of vsillg digital models, scholars 85 say, is,.that,"they". can'..easily."be-.updated..iVitb new findings. Fikret Yegul, a prc•fessor of arGhitectllral history at .tbe University of. Caltfornia at Santa. Barbara. acknowl- edges that Gomputer modelAng:can shed n¢w light on 90 the past. StilI. he "questions some 0£ the theories of the team.of experts assembled by UCLA. 'VR models can never be. seen as the last word." he said. 'They are only another perspective." Such three._dimensional iiiodeling is turning some. of archaeology's onee-established truths on their heads. Because 3"_D softwarF" can take into 'account the build- jng materials and the laws of physics, it enables scho!- ars to. address construction technxques in ways '15 SoetImeS overlooked when 'they ate. working with ..two-dimensioDal drawings. The Colosseum, a.vast four-story oval arena. was built from around A.D. 70 to 80. It once.held as many as 50,000 spectatots. Earthquakes and the iavages of . 20.time have destroyed much .of the building, bul 'an . impressive amount,..including most of .its..facade. still. stands. 10 .Dean Abernathyi . rcconstruct the C.olosseum, confronted. the-issue-of the
