Gold into Silver: The “Reverse Alchemy” of Superhero
Comics History
(34)Popular film franchises are often “rebooted” in
an effort to make their characters and stories fresh and
relevant for new audiences. Superhero comic books are
periodically reworked to try to increase their appeal to
contemporary readers. This practice is almost as
(35) elderly as the medium itself and has in large part
established the “ages” that compose comic book history.
The shift from the Golden to the Silver Age is probably
the most successful (36) example: of publishers
responding to changing times and tastes.
The start of the first (“Golden”) age of comic books is
often dated to 1938 with the debut of Superman in Action
Comics #1. Besides beginning the age, Superman in many
respects defined it, becoming the model on which many
later superheroes were based. His characterization, as
established in Superman #1 (1939), was relatively simple.
He could “hurdle skyscrapers” and “leap an eighth of a
mile”; “run faster than a streamline train”; withstand
anything less than a “bursting shell”; and (37) lift a car
over his head. Sent to Earth from the “doomed planet”
Krypton, he was raised by human foster parents, whose
love helped infuse him with an unapologetic desire to
“benefit mankind.” Admirable but aloof, the Golden Age
Superman was arguably more paragon than character, a
problem only partially solved by giving him a human
alter ego. Other Golden Age superheroes were similarly
archetypal: Batman was a crime-fighting millionaire,
Wonder Woman a warrior princess from a mythical
island.
By contrast, the second (“Silver”) age of comics was
marked by characters that, though somewhat simplistic
by today’s standards, (38) were provided with origin
stories often involving scientific experiments gone wrong.
In addition to super villains, the new, soon-to-be-iconic
characters of the (39) age: Spider-Man, the Fantastic Four,
and the Hulk among them—had to cope with mundane,
real-life problems, including paying the rent, dealing with
family squabbles, and facing anger, loneliness, and
ostracism. Their interior lives were richer and their
motivations more complex. Although sales remained
strong for Golden Age stalwarts Superman and, to a
lesser extent, Batman, (40) subsequent decades would
show the enduring appeal of these characters
More transformations would take place in the
medium as the Silver Age gave way to the Bronze and
Modern (and possibly Postmodern) Ages. Such efforts
(41) have yielded diminishing returns, as even the
complete relaunch of DC (42) Comics’ superhero’s, line in
2011 has failed to arrest the steep two-decade decline of
comic book sales. For both commercial and, arguably,
creative reasons, (43) then, no transition was more
successful than (44) those from the Golden to Silver Age.
Popular film franchises are often “rebooted” in an effort to make their characters and stories fresh and relevant for new audiences. Superhero comic books are periodically reworked to try to increase their appeal to contemporary readers.
Which choice most effectively combines the underlined sentences?