Global Test Academy

SAT Pastpaper with Solutions

Total 44 questions
00:00:00 / 01:04:00

Chapter 119

2021 : C

READING2 · 44 questions

1
Tools:

Chapter 119 · 2021 : C · READING2

Ghost MuralIn 1932 the well-known Mexican muralist DavidAlfaro Siqueiros was commissioned to paint a mural onthe second-story exterior wall of a historic building indowntown Los Angeles. Siqueiros was asked to celebratetropical America in his work, (1) he accordingly titled it“América Tropical.” He painted the mural’s first twosections, featuring images of a tropical rainforest and aMaya pyramid, during the day. (2) Also, to avoidscrutiny, Siqueiros painted the final section of the mural,the (3)centerpiece at night.(4 )The reason for Siqueiros’s secrecy became clearwhen the mural was (5 )confided. The centerpiece of thework was dominated by images of native people beingoppressed and (6 )including an eagle symbolizing theUnited States. Siqueiros’s political message did not pleasethe wealthy citizens who had commissioned his work.They eventually ordered the mural to be literallywhitewashed, or painted over with white paint.However, by the 1970s, the white paint had begun tofade, and the bright colors of the mural were beginning toshow through. At the same time, a social and civil rightsmovement for Mexican Americans was working to raiseawareness of Mexican American cultural identity. Artistsassociated with (7 )this began to rediscover and promotethe work of the Mexican muralists, particularly Siqueiros.To them, “América Tropical” was an example of how artin public spaces could be used to celebrate MexicanAmerican heritage while at the same time making apolitical statement. Inspired by Siqueiros and the othermuralists, this new generation of artists strove to emulatethe old mural masters.(8) The result was an explosion of mural paintingthat spread throughout California and the southwesternUnited States in the 1970s. It was the Chicano muralmovement. Hundreds of large, colorful new muralsdepicting elements of Mexican American life and historyappeared during this period, some in designated culturallocations but many more in abandoned lots, on unusedbuildings, or (9 )painted on infrastructure such ashighways and bridges. Many of these murals can still beseen today, although some have not been wellmaintained.Fortunately, a new group of artists has discovered themurals, and efforts are underway to clean, restore, andrepaint them. Once again, Siqueiros’s “América Tropical”is (10) leading the way. After a lengthy and complexrestoration process, this powerful work is now a touristattraction, complete with a visitor center and a rooftopviewing platform.( 11 )Advocates hope that Siqueiros’smural will once more serve as an inspiration, this timeinspiring viewers to save and restore an importantcultural and artistic legacy.

he accordingly titled it


1 / 44